Born in Madrid in 1970. He lives and has his studio in Pozuelo de Alarcón.
Trained at the Complutense University (Bachelor of Fine Arts specializing in Painting 1988-93), and at Chelsea School of Art and Design in London, where she studied a course in the Painting Department.
Vinculada desde 1997 a la galería My name´s Lolita Art, y desde 2010 a la galería santanderina Siboney, también colabora con Trinta de Santiago de Compostela y Espacio Líquido de Gijón.
Outside Spain she has been represented by the MCO gallery in Oporto and the New York gallery Foxy Productions.
The Centro de Arte Tomás y Valiente CEART in Fuenlabrada and the MARCO museum in Vigo have hosted this year 2022 their last solo exhibitions, El Efecto Reliquia and Estudio Enmarcado.
In 2020 he obtained one of the S.O.S. CULTURA grants from VEGAP. In 2009-10 she was one of the winners of the Endesa Scholarships for Visual Arts. He also benefited from one of the grants from the Colegio de España en París of the Ministry of Culture in 2001.
His work can be found in different Museums and Collections such as the CGAC Santiago de Compostela, the MOMA of New York (Judith Rothschild Collection), the María Cristina Masaveu Peterson Foundation, the Coca-Cola DA2 Salamanca Collection, CAB of Burgos, the UNICAJA Collection of Málaga, the MAC Conde Duque of the City Council of Madrid, etc.
Things, those we have in our private space or those we see outside of it, are the main and obsessive subject of this artist’s work. The objects of common use, the affective connection with them or the evocative power that the relationship with their owners brings to them, have always been the motif of his work.
For years he has been painting the ordinary things that surround us with the intention of revealing their most enigmatic dimension, and thus revealing in them subtle rarefactions or alterations, which make them unique.
Lately he explores and carries out a review of the authors of Modernity in search of details, differences and areas with a special vibration. Struggling with the frustration of realizing the unstoppable standardization that the consumer society is imposing on our habitats.