D. in Fine Arts from the University of Salamanca (2015-2019), Master in History of Contemporary Art and Visual Culture from the Universidad Autónoma de Madrid (2014-2015) and Bachelor of Fine Arts from the University of Salamanca (2009-2014).

She has been a member of the Recognized Research Group (GIR) Research in Contemporary Art Projects (IPAC) (2017-2019) and the University Institute for Research in Art and Animation Technology (ATA) at the University of Salamanca (2016-2019).

She has done research stays at the Factoría Cultural (Avilés, 2020), the Centro de Investigação e de Estudos em Belas-Artes de la Universidade de Lisboa (Lisbon, 2018), the Fundação Calouste Gulbenkian (Lisbon, 2018), the Fundação Serralves (Porto, 2018) the Hamburger Bahnhof – Museum für Gegenwart (Berlin, 2017), the Museo Nacional Centro de Arte Reina Sofía (Madrid, 2017), the Institut Valencià d’Art Modern IVAM (Valencia, 2017) and the Fundación NMAC (Vejer de la Frontera, 2016).

Highlights include projects such as Welcome to the Antropoceno at the Museo de Salamanca (Salamanca, 2019) curated by José Abel Flores, Todos somos água at ARCO (Lisbon, 2019) curated by Francisca Gigante and Gabriela Giménez, Sobre cómo lo efímero construye las formas tangibles at AlCultura (Algeciras, 2019) curated by Magda Bellotti, Kālā at Ivorypress (Madrid, 2018), Campo del Cielo at the Museo de Salamanca (Salamanca, 2018) curated by Fernando Castro Flórez, Corpo de meteorito at Faculdade de Belas-Artes de la Universidade de Lisboa (Lisbon, 2018) curated by João Castro Silva, Mirador at IPSUM (Madrid, 2018) curated by Cayetano Limorte Menchón, Hay un mar que es más alto que el cielo at Museo Barjola (Gijón, 2017), La exactitud de la materia herida por la luz at Brita Prinz (Madrid, 2015) curated by Fernando Castro Flórez or Vacuum as space. Another perception of the vacuum at the Centro de Arte Domus Artium 2002 (Salamanca, 2014).