Espacio Líquido nace en el año 2000 como galería de arte contemporáneo, espacio de producción y edición de libros, catálogos y objetos de artista.

Dirección

C/ Jacobo Olañeta, 5, bajo,
33202 Gijón, Asturias

Teléfono

+34 622 07 80 99

Email

liquido@espacioliquido.net

Job Sanchez

A Coruña, 1979

Job Sánchez (A Coruña, 1979) is a visual artist, illustrator and teacher. Currently, he combines his professional activity with his doctorate studies on Gender and Diversity at the University of Oviedo, as well as with his artistic production. In 2002he graduated in Fine Arts from the University of Salamanca and since then he has had a multitude of projects in which he reflects the evolution of his career and his aesthetic interests. Since 2016 he has been collaborating with Espacio Líquido gallery in Gijón, participating in several group and solo exhibitions and fairs such as JustMad Xo Pinta Miami in 2019. His projects include Isometric (2014) where he intervenes in murals with paint or vinyls composing geometric shapes, Rampa(2015), in the same line, but more focused on the intervention in unconventional spaces, and, finally, Laboratorio doméstico. His work can be found in important collections such as: DKV Insurance Collection, Maria Cristina Masaveu Peterson Collection, Pilar Citoler Collection, Natalia Yera Collection, Los Bragales Collection or Chambo Collection among others.

It is a set of series in which the artist explores shapes, colors and, above all, space. Always based on geometric figures, each work is composed of certain formal characteristics to which the author imprints a series of meanings, often linked to his experiences or his memories, which constitute his particular vision of the capabilities of art today. In this exhibition the process of development that the artist goes through is evident, for example, the progressive leap to three-dimensionality from his paintings on tablets, through his reliefs on paper to his pieces in wood.

In the same way, Sánchez speaks of the environment in order to blur the existing barriers between domestic space and exhibition space, between daily chores and the production of artistic objects. In this way, the author makes us participants in the experimentations and reflections that take place in his particular domestic laboratory, finding in them an encouraging procedure that seeks to reach that longed-for possibility of fusing art and life.