She uses weaving and other traditional craft techniques to transmit to the viewer a meditative and powerful observation about everything around her. Initially her work was concerned with the awareness of the human body, representing it as a structure sectioned, recomposed and decorated through stitching and embroidery to reflect on its relationship with others.

Later, her gaze shifts to her surroundings, to focus on the links that unite her with others and her work inflects to acquire a more social character, opening herself to reflect on the transformation of nature and the relationship or contact of humans with it, for which she uses embroidery and weaving to make a parallel between manual work and the processes of nature, creating structures with thread similar to those made by a plant, for example. In some works she simulates experiments that seek to recompose nature with another order, teaching us to look at it anew.

Her current work seeks to relearn from the work of artisans to re-establish contact with the manual and bodily processes with which heritage, culture and images have been taking shape and to show the traces left by the body and nature in them.

“I approach the plant world and the landscape through the laborious and meticulous work of embroidery and weaving. I try to approach their rhythms and their constant transformation, and thus force us to take a contemplative look at our surroundings. The image is woven from geological, climatic and hydrological maps of the areas where the photograph was taken. The threads that make up the image are made from animal and vegetable fibers and dyed with natural dyes by communities close to the landscape we see in the photo.” (ATB) A graduate of the School of Art, she has participated in solo and group exhibitions in South America, North America and Europe and has furthered her studies and completed residencies in Paris, Taipei, Geneva and Lima.